Christian Dior's Villa in Provence
In 1950, at the height of his fame, Christian Dior bought a dilapidated 19th-century castle in Provence. The estate was called La Colle Noire—“Black Hill.” It covered 50 hectares near Grasse, the world capital of perfumery.
“I would like this house to be a place where I can forget Christian Dior the couturier and once again simply be Christian,” he wrote after the deal was finalized.
From the old Dior estate, he acquired two towers, wine cellars, barns, the Chapel of St. Anne, and a vast tract of land with vineyards. The house was in a state of disrepair, so the fashion designer enlisted Russian architect Andrei Svechin to oversee the renovation. Svechin had previously worked on Marc Chagall’s house.
Andrei created a new villa within the old castle. The wine cellars were converted into living rooms, and the service rooms into bedrooms. Terraces were added to the house, offering the best views of the valley. Dior personally sketched the architectural details, supplementing Svechin’s blueprints.
A long cypress-lined avenue led to the house. Beyond it lay a foyer with a floor of small Provençal pebbles. In the center, Dior laid out a compass rose—a symbol of his childhood and the family villa in Normandy.
The small living rooms were furnished with plush sofas with long fabric skirts, armchairs with floral upholstery, and antique dressers and side tables found at antique shops.
The Harlequin bedroom, with its peacock-turquoise walls, white moldings, African masks, and a blue Indian chest—a nod by the designer to Picasso and his circus. Dior’s bathroom evoked an Empire-style interior. Even the faucets here were designed to resemble gilded swan necks based on his sketches.
The wallpapered living room was a dramatic statement in itself, where the same floral pattern was repeated on the walls, the upholstery of the armchairs, and the tablecloths. This technique is called “total print.” Interior design magazines wrote about it as the homeowner’s signature touch.
Most of life at La Colle-Noire took place outdoors. Dior planted hundreds of almond trees, three dozen cherry trees, olive trees, grapevines, lavender, jasmine, lily of the valley, and May roses. He walked among the garden beds, talked with the gardeners, and personally oversaw the plantings.
A 45-meter-long, straight pond was built alongside the house. During the day, the towers and the sky were reflected in it, and in the evening, according to Dior himself, “the first stars fell” into the water.
Long lunches were held under the pergola. In the first year, 130 people signed the guestbook. Marc Chagall and members of the bohemian elite of the time came here. The road to the estate was hard to find, so Dior gave his friends a business card with a map drawn on the back.
In October 1957, Christian Dior died suddenly while on vacation in Italy. He was 52 years old. He did not live to see the final move to his Provençal home. Some of the rooms remained unfinished.
The estate passed to his sister, Catherine Dior. It proved impossible to maintain the vast estate, so the house was sold a year later.
Over the course of half a century, the villa changed hands several times, stood vacant, and gradually lost a significant portion of its furnishings. In 2013, the Dior perfume house purchased the estate for €20 million.
For three years, experts searched for the original furniture, restored the interiors based on photographs, and returned the garden to its original appearance. Ten thousand May roses, almond trees, olive trees, and grapevines were replanted here.
In 2016, the estate reopened following its restoration. To celebrate this occasion, Dior launched the fragrance La Colle Noire, with notes of rose, wood, and Provençal earth.
Today, the house is closed to the general public. It hosts private dinners, presentations, and gatherings for friends of the brand.
Christian Dior spent very little time in the completely rebuilt house. But it was the Villa La Colle Noire that became the most accurate reflection of his personality. On the outside—austere architecture; on the inside—antique furniture surrounded by thousands of flowers. And not a single mannequin to remind one of work.